Jonathan Vanantwerpen is an author and program director at the Henry Luce Foundation’s Religion and Theology Programs, where he and his team strive to promote innovative thinking about religion and engage with religious communities worldwide. In this interview, Vanantwerpen discusses his work on interfaith dialogue and how it can help encourage coexistence and understanding.
Before joining Henry Luce Foundation, he spent ten years at Social Science Research Council as a staff member. During his service at SSRC, Vanantwerpen established a new program-religion and public life, launched a suite of experimental digital publishing platforms, and acted as communication director.
JONATHAN VANANTWERPEN FREQUENCIES AND PROJECTS
Jonathan Vanantwerpen has established multiple communities that aim to change people’s perspectives about religion and life in a positive manner. After joining SSRC in 2004, Vanantwerpen founded various projects and successfully executed them, including the Teagle Foundation, Ford Foundation, the Henry Luce Foundation, and the John Templeton Foundation, to focus on religion and its impact on international affairs.
Moreover, some of these projects were dedicated to fostering religious tolerance and understanding. Vanantwerpen’s ultimate goal is to help people see religion not as hostile or oppressive but as a source of comfort and support. Since vanantwerpen was a religious scholar and author who dedicated his life to helping alleviate public disclosure and producing various publications related to multiple religions with the help of many religious scholars.
He was well-known within the academic community and had a vast amount of knowledge in comparative religion. His work has helped many people understand different faiths more nuanced.
Around 11 years ago, Vanantwerpen started working in collaboration with Immanent Frame and Killing the Buddha on a project of producing frequencies-called Jonathan Vanantwerpen frequencies that were initially intended as “a collaborative genealogy of spirituality.” Ford Foundation sponsored this project.
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ROLE OF COLLABORATION WITH “THE KILLING BUDDHA”
Vanantwerpen’s work, together with “The Killing Buddha,” attracted many readers via publications and stories regarding “faith lost and found.”
Jonathan Vanantwerpen has expressed his approval and emphasized the importance of the Social Science Research Council’s (SSRC) initiative regarding Religion in the Public Sphere. He considers it to be a valuable and necessary addition to the field of sociology of religion. The primary objectives of this program are twofold: to enhance the general comprehension of religious diversity and its transformations, and to foster constructive dialogue and collaboration among scholars studying religion’s role in the public sphere. Furthermore, Vanantwerpen suggests that scholars of religion should explore how individuals employ language to convey their religious convictions and rituals. His research centers on the influence of religious diversity on public life.
Jonathan Vanantwerpen’s art is all about frequencies. He uses sound and light as his primary mediums to explore the potential of religions on the human body, mind, and soul. Vanantwerpen has been working with frequencies for over 11 years. His works have become increasingly conceptual and abstract, and how they can be used as a form of meditation or healing.
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There are many frequencies that humans can hear. Sounds cover a broad range, spanning from the gentle vibration of a refrigerator’s hum or the distant thunder rumble, to the piercing whistle of a passing train or the crackling static emitted by a radio.
Typically, low-frequency sounds present a greater challenge in terms of being heard compared to high-frequency sounds. This is because low-frequency sounds have a better ability to propagate through the air and can be perceived relatively easily even when hindered by walls or other obstacles.